H*tler’s Tasters

 

TimeOut New York Critic’s Pick 2022
Theater Is Easy Best Bet 2022
The Kilroys, The List 2020
H*tler’s Tasters Filmed Stage Version: Must-Watch by the LA Times 2020
Sold Out Run, Edinburgh Festival Fringe 2019
Best of the Fringe, The Stage UK 2019
2017 Women Playwrights Series, Susan Glaspell Award

 

NOW AVAILABLE TO PURCHASE AND LICENSE

H*tler’s Tasters is now available to purchase and license through TRW Plays.

For more information:
trwplays.com
licensing@theatricalrights.com

 
 
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Poster Art by Abbey Kostyal

Three times a day, every day, a group of young women have the opportunity to die for their country. They are Adolf Hitler's food tasters. And what do girls discuss as they wait to see if they will live through another meal? Like all girls, throughout time, they gossip and dream, they question and dance. They want to love, laugh, and above all, they want to survive.

Winner of the 2017 Susan Glaspell award, named 'Best of the Fringe' by The Stage and a 2019 Sell-Out Show at the Edinburgh Festival Fringe. H*tler’s Tasters is a dark comedy about the young German women who had the “honour” of being chosen as Adolf Hitler’s food tasters. Based on true events in history, with shades of 2019, H*tler’s Tasters explores the way girls navigate sexuality, patriotism and poison against the backdrop of war.

 
 

PLAYWRIGHT STATEMENT

The H-Word

I understand that some people are triggered by the name, Hitler. I am too. However, as a Jewish woman, I am more terrified by what I’m currently seeing in the world around me than I am by a name—albeit the worst name. H*tler’s Tasters is a play about many things but, most importantly, it is a play about the dangers of complacency.
The girls in H*tler’s Tasters are the girls whose families didn’t resist the tide of tyranny. They didn’t catch the signs, or, worse, they accepted the “inevitable” and looked the other way when the “others” lost their homes, their businesses, and their lives. What they failed to realize is that madmen first come for the “other,” but when there is no one left, he turns on his own. Hitler was willing to sacrifice young, German women; the future of the Reich, the potential bearer of German sons, to taste his food for poison. the tyrant is insatiable and, because power makes him even more paranoid, there is no amount of privilege—be it race, economic, social, or even family status that protects us when the tyrant turns his gaze in our direction.
Right this very minute, bad actors in government are working to undermine our country. they are once again trying to control the ability for women to have autonomy over their bodies. They are surgically and deftly slicing away at our democracy with tiny, barely noticeable cuts. However, as with the Nazi’s, these small fissures, paired with outrageous lies about immigrants, Blacks, Asians, Jews, the LGBTQ2+ community, Hispanics, Muslims, or any number of “others” are conspiring to create a chasm into which we’re all in danger of falling. It is devastating to think that our children’s children could look back and wonder why we didn’t pay attention when the signs were so glaring.
H*tler’s Tasters is also very much about the treatment of young women—the way society exploits and then discards them is a story as old as time. It’s disproportionately true for poor women and women of color, but there is not a woman in the world who has not felt the fear brought on by an unhinged male with power—be that at work or walking down the street. In H*tler’s Tasters we see the way young women, raised with Hitler as their father figure, have been indoctrinated. We have the heartbreaking experience of watching them submit to their fate.
We have true dictators and a number of aspiring dictators in our midst right now. We watch their lies, manipulation, and destruction in real time. We see their supporters believe they can trust these bombastic figures to do what is right when most of us know that they are only interested in their power. These are dangerous times.
For all these reasons, H*tler’s Tasters feels more relevant today than when I conceived of it a few years ago. I wish it wasn’t. I wish I had written a story that was trapped in the amber of history. But the young women of H*tler’s Tasters are powerful reminders of what can happen when a society indulges in complacency and fails to notice that what affects some of us, eventually affects all of us.
Thank you for getting past the H-word and experiencing this play for yourself. I think you will see why so many Jewish publications, organizations, and even Holocaust survivors have supported this play. I promise it is so much more than the name of a tyrant.

Yours in peace and solidarity,
Michelle Kholos Brooks

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“The groundbreaking play by award winning playwright Michelle Kholos Brooks produced by the New Light Theater Project was a total success.”

T.J. CLEMENTE, Hamptons.com

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PRODUCTIONS

April 24 - 26, 2023
Virginia Tech, School of Performing Arts
directed by Sarah Elizabeth Yorke

February 2 - 12, 2023
ShPIeL Performing Identity
The Kentucky Center for the Performing Arts, Mex Theater
directed by Sarah Norris

October 12 - 15, 2022
White Rabbit Theatre Company, Winterthur, Switzerland
directed by Courtney Beamish & Meg Adams.

OFF BROADWAY:
April 14 - May 21, 2022
Theatre Row, Times Square, New York, NY
directed by Sarah Norris

March 31 - April 3, 2022
Calliope Stage.
Sylva, North Carolina
directed by Sarah Norris

September 15 - 19, 2021
Pendragon Theater
Lake Saranac, New York
directed by Sarah Norris

September 10-11, 2021
Guild Hall
East Hampton, New York
directed by Sarah Norris

August 19 & 20, 2021
Edinburgh Festival Fringe,
The Pleasance
Streaming On Demand
directed by Sarah Norris

June 24, 2021
Teatron Festival of Jewish Theatre
Streaming Online
directed by Sarah Norris

May 8 - 21, 2020
Electric Lodge and Fringe Management LLC
Streaming Online
directed by Sarah Norris

March 12 - 15, 2020
Electric Lodge and Fringe Management LLC
Electric Lodge
Venice, California
directed by Sarah Norris

August 2 - 24, 2019
Edinburgh Festival Fringe
Greenside @ Infirmary Street, Olive Studio
Edinburgh, Scotland
directed by Sarah Norris

July 23 & 25, 2019
59E59 Theaters, New York, NY
directed by Sarah Norris

July 5-14, 2019
North Shore Center for the Performing Arts, Skokie, IL
directed by Sarah Norris
produced by Orchard Street Productions &
New Light Theater Project

October 5-27, 2018
IRT Theater, New York, NY
directed by Sarah Norris
produced by New Light Theater Project

WORLD PREMIERE: April 6-22, 2018
Centenary Stage Company, Hackettstown, NJ
directed by Sarah Norris


STAGED READINGS

February 23, 2021
Moment Magazine Zoominar Reading
Play Reading and Talkback with Playwright Michelle Kholos Brooks and Holocaust Historian Gavriel D. Rosenfeld
directed by Sarah Norris


September 23, 2019
Banned Together: A Censorship Cabaret
Alley Theatre, Houston, TX

July 2017
The Boston Court, Pasadena, CA
directed by Michael Michetti

April 2017
Centenary Stage Company, Hackettstown, NJ
directed by Sarah Norris

April 2017
Wordsmyth Theatre, Houston, TX
directed by Doug Kimbro

November 2016
Geffen Playhouse, Los Angeles, CA
directed by Michelle Kholos Brooks

September 2016
Pacific Resident Theatre, Venice, CA
directed by Michelle Kholos Brooks

 
 

Interview with Rep Radio featuring Playwright Michelle Kholos Brooks and Director Sarah Norris at the Edinburgh Festival Fringe 2019.

Interview with Rep Radio featuring Playwright Michelle Kholos Brooks and Director Sarah Norris at the Edinburgh Festival Fringe 2019.